A space for reviews covering the latest in museums and heritage, contemporary art and culture. We welcome perspectives from marginalized voices, minoritized writers, and in particular contributors from communities of origin.
by Duane Jethro
Contemporary African art can be employed to make important, generative interventions in ethnographic museum settings today. Yet, unfortunate curatorial choices can also provoke readings that are troublesome and unsettling, especially in contexts where sensitivities around restitution, race and return are heightened. Here I consider the implications of pairing Antonio Ole’s “township wall” in the Humboldt Forum’s African ethnological displays.